![]() She has managed to escape out of her insulated world, forming a relationship with Nino Quincampoix (Mathieu Kassovitz) and in this scene the two characters enjoy a moped ride around Montmartre. I am going to carry out an in depth analysis of the very last scene of this film, up to this point Amelie has been on a great character arc, learning to look after her own interests and not just those of others. The narrative follows Amelie Poulain (Audrey Tautou), a young woman so introverted that she exists in her own self-contained realm, denied basic human contact as a child, as an adult, Amelie so fears person-to-person intimacy that she spends all her energy helping to connect others with new loves, hidden passions and forgotten treasures. Le fabuleux destin d’Amélie Poulain (2001) Directed and written (story and scenario) by Jean-Pierre Jeunet and co-written (story, scenario and screenplay) by Guillaume Laurantis with cinematography by Bruno Delbonnel, is set in the short period following Princess Diana's fatal car crash in August 1997. Your answer MUST demonstrate evidence of reading and independent research. You MUST present an argument relating to how meanings are constructed through (a) micro and macro textual features and (b) extra-textual contexts. Production administrator Nicole Heitzmannġst assistant set designer Delphine Mabedĭirector of post-production Hervé Schneid A.C.E.Present a textual analysis of ONE scene from ONE film or TV programme of your choice. Production supervisor Jean-Marc Deschamps The superintendents’ postman François Aubineauġst assistant director Christophe Vassort The little boy at the Sacré Cœur Jerry Lucas Woman by the merry-go-round Christiane Bopp The laughing woman Valériane de Villeneuve ![]() The train ticket taker Philippe Paimblanc The dead man’s superintendent Marie-Laure Descouraux The humiliated customer’s son Jonathan Jossĭominique Bredoteau woman Valérie Zarrouk The customer who humiliates his friend Jacques Viala The screaming neighbor Dominique Bettenfeld Madeleine Wallace, the superintendent Yolande Moreau After several tries, she gives up, but fortunately the ‘glass man’, an expert in introversion, gives her a taste of her own medicine by pushing her into the arms of Nino. His desperate search to find a stranger whose photo reappears incessantly is suddenly interrupted by his meeting with Amelie.Īmelie is fascinated by Nino, but she prefers to play hide and seek with him, rather than let herself be known. Working part time at a ghost train amusement ride and a sex shop, Nino collects photos that have been abandoned at photobooths. ![]() Among them are a building superintendent who spends her days drinking port with her stuffed dog, Georgette the hypochondriac tobacconist and the ‘glass man’, her neighbor who lives vicariously through a Renoir reproduction.Īmelie’s mission is abruptly interrupted when she meets Nino Quincampoix, an unusual and off-beat young man. And so she invents all sorts of ways to intervene unseen into the lives of several of the people around her. At twenty-two, with a dramatic turn of events, Amelie discovers a purpose: to fix other peoples’ lives. Her life is simple she likes to break the sugar crust of her crème brulee, skip stones on the Seine, watch people and let her imagination wander. Amelie has grown up and is a waitress in an ex-equestrian dancer’s Montmartre bar. ![]() She watched her goldfish disappear in a municipal swimming pool right before her very eyes, her mother died in Notre Dame Square, and her father dotes on a garden gnome.
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